US EditionThe Met’s newest exhibition puts visitors in the place of a Parisian art critique
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The Met’s newest exhibition puts visitors in the place of a Parisian art critique
In the 19th century, scandal wasn’t found on social media, it was exhibited in art galleries. Artists who broke the rules of representation with new painting techniques or challenged the status quo drew audiences of thousands; John Singer Sargent was one of these pioneers. He had a trained understanding of academic painting, and he knew what rules to break. When he first arrived in Paris in 1874 as an ambitious 18-year-old, he sought out artist …
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